Research outputs 2008-2014

IMG_1739 - Version 2

Here’s the research outputs list:

[PEER-REVIEWED CONFERENCE PROCEEDINGS]

DUBY, M, 2008. The secret life of instruments: Musical Practice and Actor-Network-Theory, W. SIMS, ed, in: Proceedings of the 28th World Conference of the International Society for Music Education, 20-25 July 2008 , International Society for Music Education (ISME), 89-92.

DUBY, M, 2012. Instrument Teaching in South African Higher Education Institutions: At the Center or on the Periphery? W. SIMS, ed, in: Proceedings of the 30th World Conference of the International Society for Music Education, July 2012, International Society for Music Education (ISME), 107-113.

DUBY, M, 2013. Singing the body electric: Real-time and virtual performance, C. NARDI and E. MONTANA, eds, in: Proceedings of the 16th International IASPM Conference: Situating Popular Musics, 27 June – 1 July 2011, 103-110.

DUBY, M, forthcoming. Understanding the songbird: Some aspects of pattern in musical composition and perception. International conference on creating and teaching musical patterns, 16-18 December, Kolkata, India

DUBY, M, 2014. 31st World Conference of the International Society for Music Education, 20-26 July 2014, Porto Alegre, Brazil. Title: Aspects of gesture and agency within the social worlds of Western European art music and improvised jazz

RAMBAU, L A and DUBY, M, 2014. 31st World Conference of the International Society for Music Education, 20-26 July 2014, Porto Alegre, Brazil. Title: Music in the making. Music and community education in Ribungwani village, South Africa

[ARTICLES]

DUBY, M, 2010. Staging Roberto Bonati’s The Blanket of the Dark: A twenty-first century vision of ‘the Scottish play’. Shakespeare in Southern Africa, 22, 29-38.

DUBY, M, 2013. The Consul at sunset: Representing Lowry’s Mexico in song. Scrutiny2: Issues in English Studies in Southern Africa, 18(2), 18-35.

DUBY, M, 2013. ‘Reminiscing in Tempo’: The Rainbow and resistance in 1980s South Africa. South African Music Studies, 33. 81-100.

DUBY, M, 2014. ‘Alweer die Alibama?’ Reclaiming indigenous knowledge through a Cape Jazz lens. Muziki, 11(1), 99-117. Online from 7 March 2014.

DUBY, M, forthcoming. ‘Knowledge in the hands’: A phenomenological framework for assessing live ensemble performance. Submitted to Musicus, undergoing peer review.

[BOOK CHAPTERS AND CHAPTER PROPOSALS]

DUBY, M, forthcoming. Cascudo & Palacios, eds. Music, metaphor, and the body: Perspectives from philosophy and neuroscience. Undergoing peer review. Unirioja.es.

DUBY, M, chapter proposal. ‘Somewhere between Bob Dylan and Love’: the strange case of Rodriguez and South Africa. Submitted to Cambridge Companion to the Singer-Songwriter.

DUBY, M, chapter proposal. ‘Fanfare for the warriors’: Jazz, education, and control in apartheid South Africa and after. Submitted to Transnational Studies in Jazz series (Routledge).

DUBY, M, chapter proposal. ‘A unique way of being’: Music and Merleau-Ponty’s Phenomenology of Perception. Submitted to The Thing Itself – Performance Phenomenology (Palgrave).

DUBY, M, chapter proposal. ‘New ways of being South African’: Canon formation in SA jazz education. Submitted to Unisa’s Contesting Freedoms colloquium for inclusion in forthcoming book.

[POSTGRADUATE SUPERVISION]

Buitendag, Kingsley. Sole supervisor: MMus (Performance and Composition), Rhodes University.

Ellis, Steve. Co-supervisor: MMus (Performance component), Rhodes University.

Marais, Terence. Co-supervisor: MMus (Thesis component), Rhodes University. Title: A STRANGE COUNTERPOINT: CLASSICAL MUSIC PERFORMANCE AND IDENTITIES IN GRAHAMSTOWN, SOUTH AFRICA

Mashianoke, Thapedi Shadrack. Sole supervisor: MMus, Unisa 2013. Title: TSHIANZWANE MUSIC: THE RELATIONSHIP BETWEEN PHYSICAL STRUCTURE AND ABSTRACTIONS IN CULTURAL PROGRESS AND CHANGE

Layton, Myrna June. Sole supervisor: DLitt et Phil, Unisa 2013. Title: ILLUSION AND REALITY: PLAYBACK SINGERS OF BOLLYWOOD AND HOLLYWOOD

Krajewska, Ania Urszula. Sole supervisor, DLitt et Phil, Unisa 2014. Title: BIOCULTURALISM, SIMULATION AND SATIRE: THE CASE OF S1MONE

[PRESENTATIONS]

2010: 10th SAJE Jazz Conference & Festival: Jazz Education in South Africa: Past, Present and Future, University of Cape Town (28–31 March 2010). Title: Interfacing creativity and improvisation: musical performance, theory, and the individual

2011 (27 June-1 July). 16th International IASPM Conference: Situating Popular Musics, Rhodes University. Title: Singing the body electric: Real-time and virtual performance

2011 (15 July) CMPCP conference, University of Cambridge, UK. Title: Teaching and assessing jazz ensemble performance: A South African perspective

2011 (November 3-13): Festival Internacional, JazzUV, Xalapa, Mexico. Titles: Jazz en Sur África, Presentación de Discos de Sudáfrica.

2011 (September). University of Jyväskylä, Finland.

2012 (17 January) Histories, aesthetics, and politics of South African jazz: An indaba convened by the Rhodes University/Mellon Jazz Heritage Project. Title: Thirty years of Rainbow culture: A somewhat phenomenological perspective

2012 (22 February): Inaugural lecture (University of South Africa). “Struggling to define a nation”: A selective overview of South African jazz recordings 1959-2009

2012 (27 February-7 March) Organiser of North-South-South Music, Education, and Cultural Identity and intensive period (MECI-IP) project visit to Unisa

2012 (27 March) SA Jazz Educators conference, University of Cape Town. Title: ‘Struggling to define a nation’: A selective overview of South African jazz recordings 1959-2009

2012 (30 March) Memory: Impressions, Expressions, Reflections conference, Unisa. Title: The Consul at Sunset: Lowry, Bruce, and the Mexican imaginary

2012 (June 7-8) Music body conference, University of La Rioja, Logroño, Spain. Title: Music, metaphor, and the body: Perspectives from philosophy and neuroscience

2012 (July 19) 28th World Conference of the International Society for Music Education, Thessaloniki, Greece. Title: Instrument Teaching in South African Higher Education Institutions: At the Center or on the Periphery?

2013 (February 28) Invited lecturer, Northwest University: Title: Deterritorialising the research space?

2013 (March 30) Phenomenology and its Futures conference, University of Johannesburg. Title: ‘A unique way of being’: Music and Merleau-Ponty’s Phenomenology of Perception

2013 (April 11-13) Rhythm Changes II conference, University of Salford, UK.  Title: ‘New ways of being South African’: Canon formation in SA jazz education and elsewhere

2013 (18-20 July) Attended SASRIM conference, East London

2013 (September 9-11) Hearing Landscapes Critically conference, University of Stellenbosch. Title: ‘My native country’: Place, landscape, and memory in some South African (musical) accounts of exile

2013 (October 10-11) School of Arts conference, Unisa. Title: ‘Alweer die Alibama?’ Reclaiming indigenous knowledge through a Cape Jazz lens

2013 (December 17) International conference on teaching and creating musical patterns, Rabindra Bharati University, Kolkata, India. Title: Understanding the songbird: Some aspects of pattern in musical composition and perception

2014 Contesting Freedoms colloquium, Unisa. Title: ‘New ways of being South African’: Canon formation in SA jazz education and elsewhere

2014 ANFASA conference

[VISITING PROFESSOR]

September 2011 University of Jyväskylä, Finland

November 2011 Universidad Veracruzana, Mexico

[FUNDING AND OTHER AWARDS]

ANFASA writing grant 2014

Appointed as Research Professor in Musicology Unisa 2014-2016

Co-editor Muziki journal 2014 onwards.

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